《阿希尔·卡斯蒂格利尼：化零为整的设计师》，导演：瓦莱丽·帕里希，国家：意大利，年份：2018，时长：45分钟
为纪念意大利传奇设计师阿希尔·卡斯蒂格利尼诞辰100周年，3D produzioni公司特意制作了此纪录片。1999年，卡斯蒂格利尼曾在其米兰工作室中接受过一次非常详细的采访，其大部分内容未曾公开，本片正是以此访谈为线索展开。他的身边是丰富的设计物品还有他生平所收藏的大量玩具，他滔滔不绝地倾诉着，充满幽默。令人惊讶的是，他始终坚持批判性地看待现实，寻求全新的解决方案，希望发现惊喜，同时也惊艳世人。当他向我们解释自己收集空罐头、饮料瓶、弹簧、儿童塑料眼镜的原因时，我们都笑了，感觉特别有意思。随后，跟随着卡斯蒂格利尼女儿乔万娜女士的导赏，本片还带领我们走进卡斯蒂格利尼基金会进行参观。此外，我们还将看到阿希尔·卡斯蒂格利尼在米兰理工大学时的学生——建筑师帕奇希娅·奥奇拉女士——正在为“米兰三年展”上恩师的纪念展览而忙碌筹备着。
To tell the world a little about Achille Castiglioni, 100 years after his birth, 3D productions has created a documentary, the main theme of which is a long and largely unpublished interview which took place in 1999 in his Milan studio in Piazza Castello. Castiglioni is surrounded by his objects and above all by a surprising amount of knick-knacks, which he collected over his lifetime. He tells us about himself with generosity and humour. What is surprising is his desire to critically observe reality, to find new solutions, to be amazed and astonished. We observe his amused and laughing eyes as he explains why he collected empty cans, Codd-neck bottles, springs, plastic cups for children. The documentary continues, leading us to follow one of the many guided tours of the Foundation along with Achille’s daughter Giovanna. And, among others, the architect Patricia Urquiola, who was his student at the Milan Politecnico, and who is engaged in the preparation of the celebratory exhibition at the Triennale.
《亲和力与第六感：设计师南达·维戈》，导演：马克·珀马，国家：意大利，年份：2018，时长：49分钟50秒
“五大感官帮助我们在物质世界生活，第六感则不同。所有人类都拥有第六感，这是最敏锐的感官，借此我们能够有机会接近生活的其他维度。”这段表述广泛出现在南达·维戈的作品之中。她总是被其他生存世界的魅力所吸引，热切地设计出新的世界，通过善于捕捉光线的物品与艺术，将我们也融入到她自己的“宇宙生命”之中。时空二元对立被消除后，光线创造出了“脱离物质主义限制的”时空环境，以此将重点集中于抽象概念。南达·维戈在此方面苦心孤诣，带领着我们一起发现探索。每次结果都有新发现。马克·珀马导演的此纪录片借鉴了此前其他关于南达·维戈的许多影片内容，而且并不详尽，在导演看来，“本片只是又一个阶段记录而已……并非终点”。
“We have five senses with which we orientate ourselves in the material world. And then there’s a sixth sense, shared by all humans, which is the one that can open us to other dimensions”. This idea runs as a leitmotiv through Nanda Vigo’s collection of works. Fascinated by the possible existence of other inhabited worlds, Vigo constructs new ones with her art collection and lets us enter into her “cosmic life”, a life of objects that capture and texturize light. By getting rid of the space/time dichotomy, light constructs chronotopic settings where Vigo celebrates the “freedom from materialism” and plays with abstract shapes. Her digging deeper, and discovering something new every time, opens our eyes well. Marco Poma’s latest documentary combines clips from his other previous films on Vigo, with no claim to be a thorough study of her, since, as the director says, this is “just another film that wanders towards a… non-destination”.
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